The Temple of Folly

625 North San Vicente Boulevard
West Hollywood, CA 90069
West side of San Vicente Boulevard, directly opposite the Pacific Design Center

Using the landscape of West Hollywood Park, Liz Craft created a sculptural installation entitled The Temple of Folly. The installation was comprised of a large teepee-like structure with two pervasive eyes and five Hairy Guys: otherworldly whimsical creatures that conjured a sense of intrigue and play.

Liz Craft is a Los Angeles-based artist who creates sculptures and installations “which are comprised of both found and made objects” that draw upon a variety of fantastical and hallucinatory sources. Craft’s work has been exhibited at the Whitney Museum of American Art, New York; the Santa Monica Museum of Art, Santa Monica; and the Migros Museum, Zürich. Her work is a part of the permanent collection at the Los Angeles County Museum of Art, Los Angeles, and the Hammer Museum, Los Angeles. In 2006, Craft received the Alfred van Bohlen Award.

Presented in conjuction with the City of West Hollywood through its Arts and Cultural Affairs Commission.

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Works partially commissioned by Santa Barbara Contemporary Arts Forum.

blps

In conjunction with the retrospective Richard Artschwager!, which was on view at the Hammer Museum through September 1, 2013, LAND (Los Angeles Nomadic Division) and the Hammer Museum along with The Cosmopolitan of Las Vegas presented a citywide installation of Richard Artschwager’s blps – a word coined by the artist (pronounced “blips”) in the late 1960s that denotes the black lozenge-shaped marks meant to inspire focused looking and draw our attention to the places and things around us that often go unnoticed.

LAND’s Director and Curator, Shamim M. Momin, selected a number of sites throughout Los Angeles to place the blps, including Annenberg Community Beach House, Barney’s Beanery, C. Christine Nichols’ Maya Lin Residence, Cedars-Sinai Medical Center, Covell, Creative Artists Agency, Fatburger West Hollywood, FOODLAB Silverlake and West Hollywood, Gas Station on Riverside Drive, James’ Beach, Jamie and Brad Schlei’s Residence, L & E Oyster Bar, LAND Office, Los Angeles County Fire Department Lifeguard Headquarters, Los Angeles Union Station, Lyn and Bill Norton’s Frank Gehry Residence, Santa Monica Pier, Santa Monica Radiator, Strip Mall on Santa Monica Boulevard, Sun-Lake Drugs, The Dresden Restaurant, Venice Skate Park, and WeWork Hollywood. A selection of blps were also installed in Las Vegas at The Cosmopolitan.

Artschwager’s blps were first installed at the University of California, Davis, and over the years, have been installed in numerous public locations in cities in the U.S. and Europe, such as on subways and building facades, as well as indoor locations such as galleries, and produced in a range of materials, including vinyl, spray-painted stencils, wood, and rubberized horsehair. The blps have transformed art spaces and city streets for decades, creating an opportunity for the “useless looking” the artist aspired to throughout his career.

About the Exhibition

The Hammer Museum was the only West Coast venue for Richard Artschwager!, a full-scale retrospective exhibition of the work of Richard Artschwager (1923-2013). Organized by the Whitney Museum of American Art in association with the Yale University Art Gallery, and curated by Jennifer Gross, Seymour H. Knox, Jr. Curator, Modern and Contemporary Art, Yale University Art Gallery, Richard Artschwager! featured more than 145 works spanning six decades, including sculptures, paintings, drawings, photographs, and prints. Often associated with pop, minimalism, and conceptual art, Artschwager’s work never fit neatly into any of these categories. The Hammer’s presentation was organized by Senior Curator Anne Ellegood. Following the presentation of Richard Artschwager! at the Hammer Museum, the exhibition traveled to the Haus der Kunst, Munich and the Nouveau Musée National de Monaco.

About the Hammer Museum

The Hammer Museum, a public arts unit of the University of California, Los Angeles, is dedicated to exploring the diversity of artistic expression through the ages. Its collections, exhibitions, and programs span the classic to the cutting-edge in art, architecture, and design, recognizing that artists play a crucial role in all aspects of culture and society.

The museum houses the Armand Hammer Collection of Old Master, Impressionist, and Post-Impressionist paintings and the Armand Hammer Daumier and Contemporaries Collection. The Hammer’s newest collection, the Hammer Contemporary Collection, is highlighted by works on paper, particularly drawings and photographs from Southern California. The museum also houses the Grunwald Center for the Graphic Arts, comprising more than 45,000 prints, drawings, photographs, and artists’ books from the Renaissance to the present; and oversees the management of the Franklin D. Murphy Sculpture Garden on the UCLA campus.

The Hammer presents major single-artist and thematic exhibitions of historical and contemporary art. It also presents approximately ten Hammer Projects exhibitions each year, providing international and local artists with a laboratory-like environment to create new work or to present existing work in a new context.

As a cultural center, the Hammer offers a diverse range of free public programs throughout the year, including lectures, readings, symposia, film screenings, and music performances. The Hammer’s Billy Wilder Theater houses these widely acclaimed public programs and is the new home of the UCLA Film & Television Archive’s renowned cinematheque.

For current program and exhibition information, call 310-443-7000 or visit www.hammer.ucla.edu.

About The Cosmopolitan of Las Vegas

The Cosmopolitan of Las Vegas is the city’s newest luxury resort offering a decidedly different perspective. Located at the heart of The Strip, the resort’s uniquely vertical multi-tower design offers spectacular views of the vibrant city. The new 2,995-room resort features oversized residential-style living spaces with expansive, one-of-a-kind private terraces. The Cosmopolitan’s luxurious resort amenities include a 100,000 square foot casino; Sahra Spa & Hammam and Violet Hour Hair Nails Beauty; three unique pool experiences; Marquee Nightclub & Dayclub, a multi-level integrated indoor/outdoor nightclub and 150,000 square feet of state-of-the-art convention and meeting space. An eclectic line-up of new-to-market retailers include: AllSaints Spitalfields, Beckley, CRSVR Sneaker Boutique, DNA2050, EATDRINK, Jason of Beverly Hills, Kidrobot, Molly Brown’s Swimwear, Retrospecs & Co, Skins 62 Cosmetics, Stitched and Utique. Signature restaurants include: Blue Ribbon Sushi Bar & Grill by restaurateurs Bruce and Eric Bromberg; Comme Ça by Los Angeles Chef David Myers; Estiatorio Milos, by international restaurateur Costas Spiliadis; Holsteins from Block 16 Hospitality; Jaleo and China Poblano restaurants by acclaimed Chef José Andrés; Scarpetta and D.O.C.G. by award-winning Chef Scott Conant; and popular steakhouse STK from The ONE Group; bustling culinary food hall The Wicked Spoon; and The Henry, an all-day dining concept. For more information visit: www.cosmopolitanlasvegas.com.
DOWNLOAD MAP
DISCOVER THE BLPS

Special Thanks

Rachel Burke
Dr. Ondine Chavoya
Calvin Chu
Jessica Cusick
Candance DeGraff
James Evans
Jay Farrand
Nan Friedman
Chief Mike Gallagher
Jane Glassman
Jim Harris
David Houston
Matthew Kaner
Ben Kessler
Dustin Lancaster
John T. Lange
Metro (Los Angeles County Metropolitan Transportation Authority)
Nino Mier
Dean G. Ng
Pat Ngoho
Thao Nguyen
C. Christine Nichols
Marc Pally
Jorge Pardo
Chuck Perliter
AJ Sacher
Eyad Zahra
Heidi Zeller

Frame Rate: Kon Trubkovich

Russia Restaurant
1714 Ivar Avenue
Los Angeles, CA 90028
7-10pm

For this Frame Rate, Kon Trubkovich presented his work in progress, tentatively entitled, what did we destroy to get here. The video work depicts Trubkovich’s relatives in Russia singing their favorite popular American songs from their youth; however, since none of them speak English, all of the songs were learned solely on a phonetic basis. The work investigates the relationship between time and memory, and the complexities of mediated translation in our society.

This event took place at Russia Restaurant, where the work was accompanied by live performers, who sang select songs from the video. A Russian dinner and libations were served.

Kon Trubkovich is a New York-based artist whose paintings and video works use old VHS video as the foundational source. Trubkovich extrapolates from the digital static created by pausing and splicing the film to create nostalgic glimpses into the past. His work has been exhibited at the MoMA PS1, Long Island City; the Macro Future Museum, Rome; and Kunstmuseum Bern, Bern.

Frame Rate is a programming series with an eye toward film, video, and the moving image in general.

This Frame Rate is made possible in part by a grant from the City of Los Angeles, Department of Cultural Affairs.

Frame Rate: Drew Heitzler

Hollywood Roosevelt Hotel
7000 Hollywood Boulevard
Los Angeles, CA 90028
7-10pm: Lobby
8-10pm: The Spare Room (Mezzanine Level)

Using the lobby and The Spare Room at the Hollywood Roosevelt Hotel, artist Drew Heitzler presented a new video work, L.A. Music Part I. This video appropriates a scene from Art Clokey’s Gumby in which Gumby is seated playing the piano, though Heitzler has edited and altered the scene to have Gumby play a selection of atonal music from Los Angeles music history. Gumby thus functioned as the hotel’s lounge player for the evening, supplying guests and visitors with music from notable artists such as Black Flag, John Cage, The Doors, Frank Zappa, Slayer, La Monte Young, and Megadeth, among many others.

Drew Heitzler is a Los Angeles-based artist and filmmaker who creates installations that combine pre-existing films with various media (drawing, sculpture, photography, etc.) to confuse and investigate the role of time, site, and history. Heitzler’s work has been exhibited at the Whitney Museum of American Art, New York; MoMA/PS1, New York; and the Orange County Museum of Art, Orange County, among other notable institutions. His work is part of the permanent collection at the Museum of Contemporary Art, Los Angeles and the Whitney Museum of American Art, New York.

Frame Rate is a programming series with an eye toward film, video, and the moving image in general.


This Frame Rate was made possible in part by a grant from the City of Los Angeles, Department of Cultural Affairs.
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Frame Rate: Vishal Jugdeo

LAND Offices
6775 Santa Monica Boulevard (corner of Highland)
Los Angeles, CA 90038
6-9pm

Frame Rate: Vishal Jugdeo included the premiere of Jugdeo’s newest video work, The Meeting, the Trap, the System and the View, conceived in part via LAND’s artist residency project, Come as you are…

The evening also included a celebration of LAND’s new Hollywood office location, including a toast to our future projects.

Vishal Jugdeo is a Los Angeles-based multimedia artist whose video works integrate sculpture and props, emphasizing theatricality and revealing process while enabling and encouraging a participatory interaction and viewing of the work.

Jugdeo’s video was also shown as part of a larger installation of his work at Thomas Solomon Gallery from June 22 – August 3, 2013.

Frame Rate is a programming series with an eye toward film, video, and the moving image in general.

Continue reading “Frame Rate: Vishal Jugdeo”

Painting in Place

Farmers & Merchants Bank
401 South Main Street
Los Angeles, CA 90013

Painting in Place was a group exhibition of contemporary painting, presented in the historic Farmers and Merchants Bank in Downtown Los Angeles.

The exhibition displayed a wide array of work from contemporary artists who tackle painting from various perspectives, using both traditional and unconventional techniques and media in their approach to the discipline. Exploring various ways that the definition of painting is continuously evolving, the exhibition sought to expand the traditional parameters of painting, sculpture, and installation: blurred, deconstructed, and refigured.

Three overlapping themes permeated the exhibition: the representation or metaphor of the body/self, memory and the passing of time, and the depiction and negotiation of spatial environments and architectural structures. Subjects were explored, investigated, and highlighted through the juxtaposition and placement of these paintings within the site-specific context of the historic bank, built in 1905, which remains a cornerstone of Downtown Los Angeles.

Artists included Rita Ackermann, Kevin Appel, Jennifer Boysen, Sarah Cain, N. Dash, Matias Faldbakken, Kim Fisher, Barnaby Furnas, Alexandra Grant, Matt Greene, Mark Hagen, David Hendren, Julian Hoeber, Rashid Johnson, Jacob Kassay, Olga Koumoundouros, Jim Lee, Nate Lowman, Allison Miller, Sam Moyer, Amanda Ross-Ho, Analia Saban, Kate Shepherd, Gary Simmons, Vincent Szarek, Britton Tolliver, Kon Trubkovich, Monique van Genderen, and Bobbi Woods.

Painting in Place was made possible with the generous support of Gilmore Associates and the Old Bank District.

SPECIAL THANKS

Marianne Boesky, Jamie Costa, David Hendren, Mike Hernandez, Dane Johnson, Nick Kramer, Lapis Press, Anton Lieberman, Joel Lubin, Joel Mesler, William Parks, Pete’s Café, Marc Richards, LaTanya Spann, Britton Tolliver, Mikey Uphoff, Mark Verabioff, Susanne Vielmetter, and Alan Weiner


EXHIBITION CHECKLIST
EXHIBITION MAP


LAND is supported, in part, by the Los Angeles County Board of Supervisors through the Los Angeles County Arts Commission.

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Lunch with LAND

During the course of the exhibition, LAND hosted weekly artist talks, entitled Lunch with LAND. The public was invited to bring a lunch while two artists discussed their work in the exhibition and beyond, providing a special opportunity to learn about the varied practices and perspectives that comprised the wide-ranging group show.

Saturday, June 8, 12:30pm
Kevin Appel & Monique van Genderen

Saturday, June 15, 12:30pm
Alexanda Grant, Jim Lee & Vincent Szarek

Saturday, June 22, 12pm
Julian Hoeber & Bobbi Woods

Saturday, June 29, 12:30pm
Sarah Cain & David Hendren

Saturday, July 20
Matt Greene & Kon Trubkovich

Saturday, July 27, 12:30pm
Kim Fisher & Mark Hagen

Come as you are…

8126 Santa Monica Boulevard
West Hollywood, CA 90046
Special thanks to Walgreen Co.

From May 13th to May 30th, LAND presented Come as you are…, a rotating artist residency, performance space, and exhibition held at 8126 Santa Monica Blvd. West Hollywood, CA 90046.

Each of the three participating artists took up residency for a week’s time, during which they used the space to whatever end they conceived – a film shoot, a participatory exhibition, a performance space, a studio, and so on. Each residency offered a public component, but its format was unique to the artist’s work and process.


Come as you are… was made possible in part by a grant from the City of Los Angeles, Department of Cultural Affairs.

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BRENDAN FOWLER

Thursday, May 30, 2013
8-10pm

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Performances by:
And Martin (Brendan Fowler)
Karen Adelman
Dean Spunt

Brendan Fowler presented an evening of performances featuring his new vocal-based project, And Martin, along with performances by Karen Adelman and Dean Spunt. Karen Adelman is a classically trained opera singer and artist that makes “radio dramas” and uses her voice and recorded sound in her performative practice. Dean Spunt of the experimental punk band No Age, created sculptural sound objects by submerging tape recorders in clear containers of paint.


FAY RAY

May 19 – May 26, 2013

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Sunday, May 19, 2013
7-9 pm

Fay Ray presented a collaborative event with artist Melanie Nakaue and musical artists Terrain and The Golden Peacocks inspired by the color blue. Sound engineer Alex Pasco recorded the performance.

Thursday, May 23, 2013
9-11pm

Fay Ray presented a collaborative installation with Katy Cowan, Shiva Aliabadi, and Marquita Flowers based on the gesture of the pour.

Saturday, May 25, 2013
11am-3pm

Fay Ray presented three new works where she created compositions of objects and ephemera that was offered to audience members as gifts.


VISHAL JUGDEO

May 13 – May 18, 2013

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The first Come as you are… artist was Vishal Jugdeo, a Los Angeles-based multimedia artist whose video works integrate sculpture and props, emphasizing theatricality and revealing process while enabling and encouraging a participatory interaction and viewing of the work.

Frame Rate: Jen DeNike

 

Soho House West Hollywood
9200 Sunset Boulevard
West Hollywood, CA 90069

Utilizing the intimate and plush setting of the Soho House West Hollywood’s Screening Room, New York-based artist Jen DeNike presented her own version of Stanley Kubrick’s Lolita with the presentation of both a video and performance that dialogs with the film’s allure of the character Lolita. The performance transformed the room into a live theater, activating not only the screen but also the aisles, corners, and physical space created for each viewer in their seats. The event involved participation from the audience, live music, actors, and choreographed sequences. Using a montage of reconstructed film stills taken directly from Kubrick’s Lolita, DeNike created a narrative that collided and intersected with the performance. Senses were tantalized on all fronts – from the lushness of the screening room, to the actors and actresses that interacted with the audience, to the original piano score, performed live by composer Jay Israelson, which punctuated the film and performances.

Special thanks to Helen Brown, Anat Ebgi, Marjorie Ornston, Dennis Riordan, Jay Stuckey, and Laurie Ziegler.

Nomadic Nights: Anna Sew Hoy, Math Bass, and Claire Kohne

Human Resources
410 Cottage Home Street
Los Angeles, CA 90012
6:00 – 8:00 PM

On Sunday, March 17, 2013 LAND (Los Angeles Nomadic Division) presented Nomadic Nights: Anna Sew Hoy, Math Bass, and Claire Kohne from 6-8pm at Human Resources. The multimedia performance consisted of Anna Sew Hoy and Claire Kohne rolling clay balls on a large canvas tarp placed on the floor of the gallery space, while Math Bass used amplified sound and her voice to narrate the performance and read her poem, “Holes,” which she wrote in 2010. Sew Hoy and Kohne were joined at the waist by a long piece of rope which snaked around the floor, creating an undulating line as the artists moved.

Guests were encouraged to contribute to the performance by bringing miscellanea (such as pennies, chains, beads, string, costume jewelry, phone cords, old cables, rope, shoe laces, etc.) to place on the floor to be picked up by the ball of clay that was rolled around the gallery space during the performance.

The clay left marks tracing the artists’ movements on the canvas tarp which functioned as the performative residue at the conclusion of the performance.

Special thanks to Human Resources.

PLANETS MAKING PLANETS

When I am making my clay orbs, I’m like a determined coach, punishing headmistress, and construction worker, rolling, smacking, whacking and coaxing the ball into shape. It’s exhausting work. I have to put my back into it. When Claire is around, we become a two-headed hydra, working the clay together. The ball is like the world, encompassing everything. Math vocalizes, reports on what we are doing, and sends commentary from her position in the room. Our positions in the room continue to revolve. We are like planets making planets.

Astrology Orchestra and Weekend of Events in Joshua Tree

The Integratron
2477 Belfield Boulevard
Landers, CA 92285
November 17, 2012

Performances at 4:30pm, 5:15pm, and 6:00pm

On Saturday, November 17, 2012, LAND  presented a performance of Katie Grinnan’s Astrology Orchestra: a multi-platform performance project at the Integratron in Landers, CA. Grinnan is a Los Angeles-based artist who often presents projects in multiple sites to investigate the effect of perception in relation to various contexts and how this shapes the viewers’ understanding of her work. The project uses the system of astrology to map out the artist’s birth chart from the perspective of the planets in the solar system. These charts served as a template for Grinnan to create unique stringed instruments, each representing a different planetary perspective of the same moment in time, though each chart is radically different due to the planets’ position in space. Furthermore, the note of the string at the diameter of each sculpture correlates to the frequency of the planetary spin. Various members of Grinnan’s artist community were cast according to their astrological sign to play the instruments simultaneously as a symphony. A metronome serves as the conductor for the performance while the performers circumnavigate through the zodiac cycle playing the planetary transits. These instruments had been previously activated through orchestral presentations at the Mount Wilson Observatory and the Venice Beach Biennial in conjunction with the Hammer Museum’s Made in L.A. 2012.

In spring 2014 LAND will present a culminating exhibition at Human Resources in Los Angeles. This exhibition will present the sculptural instruments and astrological charts and diagrams, which emphasize Grinnan’s vision and process, along with two installations of high definition video projections. These video projections will be comprised of footage from the past performances of the Astrology Orchestra from the Integratron, and the 60″ telescope at Mount Wilson. Both of these projections will be dome-shaped to form a complete circle, echoing the architecture of the spaces in which the original performances took place and the shape of the instruments and the planets. An additional video piece will detail the performance of the Astrology Orchestra at Venice Beach.

Grinnan lives and works in Los Angeles and is represented by Brennan and Griffin in New York.

Performers:

Sun – Noah Wolf – Leo
Mercury – Joey Kötting – Gemini
Venus – Alice Könitz – Libra
Earth – Katie Grinnan – Virgo
Mars – Claude Collins-Stracensky – Aries
Jupiter – Tim Rogeberg – Sagittarius
Saturn – Sue Maing – Capricorn
Uranus – Christian Tedeschi – Aquarius
Neptune – Liza McLaughlin – Pisces
Pluto – Farrah Karapetian – Libra
Triangle – Rob Ebeltoft


WEEKEND ITINERARY

Friday, November 16:

8pm: Karaoke Night at the Joshua Tree Saloon
Join LAND for drinks, snacks, and songs at the Joshua Tree Saloon!

Saturday, November 17:

SUGGESTED BRUNCH RESTAURANTS:

Crossroads Café
Joshua Tree Saloon
Pappy and Harriet’s
29 Palms Inn

SUGGESTED ACTIVITIES:

6am-2pm: Sky Village Swap Meet
Bargain and barter for loot at this historic swap meet in Yucca Valley. There is a café with coffee and snacks for a bite while you shop!

10am and 1pm: Ranger-led Hike in Joshua Tree National Park
Take a hike with a ranger for $5.00 to Keys Ranch. Hikes are limited to 25 people and reservations should be made in advance.

11am-3pm: High Desert Test Sites Headquarters
Visit the HDTS Headquarters to find out about current and upcoming projects in the desert.

All day: Noah Purifoy Foundation
Take a tour of the outdoor sculpture museum of assemblage artist Noah Purifoy. Call the foundation for directions and more information at (213) 382-7516.

4:30pm, 5:15pm, and 6:00pm: LAND presents Katie Grinnan’s Astrology Orchestra at The Integratron
Please visit Matt Ventimiglia with his telescope for star and planet gazing at The Integratron before or after you view the performance! (Weather permitting)

8pm: After Party
Join LAND for an after party to celebrate Katie Grinnan’s performance! Location information will be provided upon RSVP.

Sunday, November 18:

12pm: Sound Bath at The Integratron
Join LAND for a private Sound Bath for $25.00 (LAND Members are free) at The Integratron. “The Sound Bath is a 60-minute sonic healing session that you can experience while resting comfortably in the deeply resonant, multi-wave sound chamber. A sequence of quartz crystal singing bowls are played for you, each one keyed to the energy centers or chakras of the body, where sound is nutrition for the nervous system.”

1pm: LAND Brunch at Crossroads Café
Join LAND for a prix fixe brunch at Crossroads Café.

10am and 1pm:Ranger-led Hike in Joshua Tree National Park
Take a hike with a ranger for $5.00 to Keys Ranch. Hikes are limited to 25 people and reservations should be made in advance.

11am-3pm: High Desert Test Sites Headquarters
Visit the HDTS Headquarters to find out about current and upcoming projects in the desert.

All day: Noah Purifoy Foundation
Take a tour of the outdoor sculpture museum of assemblage artist Noah Purifoy. Call the foundation for directions at (213) 382-7516.


WHERE TO STAY:

Hicksville Trailer Palace & Artist Retreat
Circle C Lodge – Special Rate for LAND guests
High Desert Motel – Special Rate for LAND guests
29 Palms Inn
Rimrock Ranch Cabins
Harmony Motel
Pioneertown Motel
Fairfield Inn by Marriott
Best Western

Frame Rate: Bobbi Woods

Hyperion Tavern
1941 Hyperion Avenue
Los Angeles, CA 90027
Screenings begin at 9pm and continue throughout.

Video Projections By:
Bobbi Woods

Music By:
Matthew Clifford Green
Jan Tumlir

In Collaboration With:
No Vex

Nomadic Nights: Zoe Crosher

Chateau Marmont
Penthouse Suite
8221 Sunset Boulevard
West Hollywood, CA 90046
6:00 – 7:30PM


Transgressions series and recipes


Information on Eve Babitz:
L.A. Woman

Oral history interview with Eve Babitz, 2000 June 14


Zoe Crosher Reads:
Eve Babitz’s Slow Days, Fast Company: the World, the Flesh, and L.A.Oral History Interview with Eve Babitz<, 2000, June 14, Archives of American Art, Smithsonian Institution. Original interview by Paul Karlstrom.

Oral History Interview with Eve Babitz, 2000, June 14, Archives of American Art, Smithsonian Institution. Original interview by Paul Karlstrom.

This Nomadic Night centered around Crosher’s Transgressions series – a set of photographs focusing on the site of disappearance of iconic Los Angeles figures. As a continued investigation into the idea of “site-specific disappearance” of her subjects, Crosher collaborated with artist and chef Caitlin Williams Freeman to create recipes based on the locations of disappearance, a means of “ingesting” the site. For this event, pastry chef Mariah Swan of bld Restaurant developed four desserts from these recipes.

In addition the the Transgressions series, Crosher had recently begun to consider a significant cultural absence, the prolific author Eve Babitz. Though Babitz still lives in Los Angeles, all of her books are out of print and Crosher hopes to bring attention to her contributions to the myth of Los Angeles from the 1960’s. Crosher recorded parts of Babitz’ novels, which played through the evening on phones provided by HTC, and are available at the links above.

Zoe Crosher is a Los Angeles-based artist born in 1975 whose multifaceted practice uses the Los Angeles cityscape and Hollywood celebrity culture as the basis for fictional documentaries as she explores the fantasy of expectations and the false promise of travel, identity, and transience. Crosher has recently begun to work with food and elixirs to further her investigations in Hollywood personas and unsolved mysteries. In addition to her exhibition practice, she has a monograph, Out the Window (LAX), examining space and transience around the Los Angeles airport, and an upcoming publication series of her newest project, The Michelle duBois project, published by Aperture Ideas. Crosher served as Visiting Professor at UCLA and Art Center, and was Associate Editor at the journal Afterall after receiving her MFA from CalArts. She was recently awarded the prestigious Art Here and Now Award by the Los Angeles County Museum of Art and the CCF Mid-Career New Photography Award. Her work was included in the 2010 California Biennial at the Orange County Museum of Art, California; the Dallas Contemporary Biennial, Dallas; and she has exhibited in solo and group exhibitions throughout the United States. She will take part in MoMA’s annual New Photography series this fall and is represented by Perry Rubenstein Gallery.


This Nomadic Night was made possible by HTC.
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Special thanks to Chateau Marmont and bld Restaurant.
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Entropy Symphony: Movement III

Los Angeles: the divided metropolis!

On one hand, it is the promised land of sunshine and relaxation; on the other, it is the home of the freeway and frustration. At the center sits the integral key: the mighty car – mobility providing access to the joys that lift each modern resident (and to the incessant tasks that weigh them down). The journey is most often seen as an obstacle, something to be calculated, cussed at, and through with as soon as possible. The instrument for these errands is as beloved as it is despised in the eternal push and pull between love and hate, the nest versus the coffin.

Using the Janus of Los Angeles as the instrument most perfectly tuned to sing the song of its citizens, 1000 car horns rang out in a symphony composed to bring forth the passion of the city of angels. For five minutes, from San Pedro to Silver Lake, the lifeblood of LA rang out in harmony, bringing the city together in seraphic sound as it is used as a resonating chamber and became the grand horn of its people.

Zefrey Throwell is a New York-based artist who works with video, radio, painting, and people in order to explore the connecting points and underpinnings of social discourse. His work has been exhibited at the Whitney Museum of American Art, New York; the Queens Museum of Art, Queens; and the Guggenheim Museum, New York. His work is in the permanent collection at the Museum of Modern Art, New York as well as in the Hall Collection.

Perpetual Conceptual: Echoes of Eugenia Butler

8126 – 8132 Santa Monica Blvd.
West Hollywood, CA 90046

For Pacific Standard Time: Art in L.A. 1945 – 1980, LAND and Corazon del Sol presented Perpetual Conceptual: Echoes of Eugenia Butler, a multi-part exhibition, in collaboration with the City of West Hollywood, focused around Eugenia Butler, Sr. and the conceptual projects that took place at Eugenia Butler Gallery (1968 – 1971).

At the center of Perpetual Conceptual was an ongoing group exhibition that featured artwork and significant ephemera from the gallery’s exhibitions and Butler, Sr.’s personal collection. Serving to capture and convey the sensibility of the moment, the dynamic of the community, and the intertwining dialogues, support, and creativity that stemmed from Butler, Sr. and her gallery, this central exhibition was supplemented by a rotating concentration space highlighting specific artists (the work of Eugenia P. Butler is the first on view). Artists included Michael Asher, George Brecht, Eugenia P. Butler, James Lee Byars, Paul Cotton, Marvin Harden, Douglas Huebler, Dorothy Iannone, Richard Jackson, Donald Karwelis, Ed Kienholz, Joseph Kosuth, Charlie Nothing, Eric Orr, Dieter Roth, Allen Ruppersberg, and William T. Wiley, among many others.

While these presentations explored Butler, Sr.’s history, a series of programs examined her continued influence on contemporary art dialogue. Presented at the exhibition’s performance space and venues throughout Los Angeles, these programs included the presentation of new contemporary artworks inspired by Eugenia Butler Gallery and the dynamic recreation of performances presented there. The first program, the recreation of Eric Orr, Wall Shadow, 1970 (presented as part of the Pacific Standard Time Performance and Public Art Festival organized by LA><ART).

Largely untold, and lost from history when compared to the thorough records held on Butler, Sr.’s contemporaries, Perpetual Conceptual introduces a community to the breadth of her gallery’s vision, the influential exhibitions and performances presented there, and Butler, Sr.’s critical role in shaping the Los Angeles art community.

About Pacific Standard Time:

Pacific Standard Time was an unprecedented collaboration of more than sixty cultural institutions across Southern California, coming together to tell the story of the birth of the L.A. art scene. Initiated through grants from the Getty Foundation, Pacific Standard Time took place for six months beginning in October 2011. Pacific Standard Time is an initiative of the Getty.
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Special thanks to Walgreen Co.

Support for this project provided by the City of West Hollywood.

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Related Exhibitions


Related Programs


 

DEPOSITO

Italian Cultural Institute of Los Angeles
1023 Hilgard Avenue
Los Angeles, CA 90024

Opening:
Tuesday, December 6, 2011
With an introduction by Eugenio Carmi, special presentation of Rudi Gernreich designs, and a performance by pianist Gloria Campaner.

LAND in collaboration with Corazon del Sol and the Italian Cultural Institute of Los Angeles presented DEPOSITO, an exhibition featuring a selection of work from Galleria del Deposito (1963 – 1969). Serving as an introduction to and coinciding with the Pacific Standard Time: Art in L.A. 1945 – 1980 exhibition on the Eugenia Butler Gallery presented by LAND and Corazon del Sol entitled Perpetual Conceptual: Echoes of Eugenia Butler, DEPOSITO highlighted the critical connections between Eugenia Butler, as she served as the American representative for Galleria del Deposito, and the influential role Italian artists had on the Los Angeles art scene.

Galleria del Deposito (previously an old coal depot) served as the exhibition space for the Gruppo Cooperativo di Boccadasse, an artist collective founded by Eugenio Carmi and Carlo Fedeli in Genoa. The cooperative consisted of internationally acclaimed artists such as Getulio Alviani, Max Bill, Eugenio Carmi, Lucio Fontana, Jesus Rafael Soto, and Victor Vasarely, among many others, whose common ambition was to create affordable, high-quality, and functional limited edition artwork. Utilizing monthly bulletins and mail-order catalogues (always in Italian and English), the cooperative aimed to reach an international audience to market their multiples (serigraphs, lithographs, and engravings), foulards, trays, ceramics, and jewelry. With an eye toward fashion, Getulio Alviani and Eugenio Carmi collaborated with the iconic fashion designer, Rudi Gernreich, as they created bold geometric patterns for his fabrics. Such collaborations blurred the boundaries between art, fashion, and design, and allowed for a highly creative and productive environment: in just over five years, Galleria del Deposito held thirty-eight exhibitions and produced one hundred and four graphics, twenty-two artist-designed foulards, six artist-designed trays, thirty-six multiples, and artist-designed jewelry.

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